Bach Bibliography Search Result

Author : Cressy, Thomas
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Cressy, Thomas	19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract.	diss.			2017	123, 70, 2p
	2.	Cressy, Thomas	Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. A paper presented at the 'Young Scholars' Forum' at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017.	[p]BNUK_Cambridge			Jul 2017
	3.	Cressy, Thomas	Bahha: Bach and Japan. A paper presented at the dialogue session 'Young Scholars' Forum' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.	[p]BNUK_Cambridge			Jul 2015
	4.	Cressy, Thomas	The Case of Bach and Japan: Some Concepts and their Possible Significance. Young Scholars' Forum. http://bachnetwork.co.uk/ub11/ub11-cressy.pdf	UnderstandingBach	11		2016	140-146
	5.	Cressy, Thomas	The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Music Pioneers in Modern Japan'	[p]IMS_Tokyo			Mar 2017